Sanjeev Khagram

“Pioneer When Others Retreat”: Why Digital Learning Can Be Powerful (Interview)

What if digital learning was not a compromise, but a chance to achieve even more? Dr Sanjeev Khagram shares a radical vision for transforming higher education and vocational learning. He is the Director-General and Dean of the Thunderbird School of Global Management, Arizona State University. Dr Khagram explains why educators have reason to be excited about digital learning, and what they need to do to make the most of it.
Michael Rosenfeld Gallery LLC, New York, NY

Take Me to the Moon: Alma Thomas

Alma Thomas was the first African-American woman to be featured in the White House art collection, the first African-American woman to have a solo show at the Whitney Museum of American Art, and the first person to graduate from Howard University with a degree in Fine Art. During her life, she never fit into a certain artistic category, and the problem still stands of whether she belongs on the ‘outside’ or ‘inside’ of twentieth century art.
Ant Rozetsky

St. Petersburg, Capital of the Nineteenth Century

The protagonist of Sisters of the Cross, Marakulin, falls on hard times and leaves his nice apartment in the Burkov House to move into a rented room three floors up. This change in circumstances gives him a new perspective on the city. He is exposed to the city’s noise — “that wearisome sound of iron hitting against stone,” and to black soot that accumulates between his windowpanes. Burkov House’s various faces reveal the strikingly different life-worlds contained within St. Petersburg’s fabric.
Columbia University Press

Propaganda, the Absurd, and the Truth in Andrei Platonov’s Plays

In post-Communist Bulgaria, where I grew up, I often encountered traces of the fallen regime’s language. Houses marked “Exemplary Home” with a special blue plaque. Old newspapers reporting that agricultural brigades had overfulfilled their quotas. An inscription on a monument claiming that our republic needs friendship with the USSR just as every living being needs air and sunlight. The most ridiculous slogans, once posted on factory walls, are now circulated as internet jokes: "Communism is inevitable." "Every jar of compote: a fist in the face of imperialism!"
Andrew Edlin Gallery

Imagined Spaces at the 2017 Outsider Art Fair

It is the last day of the 2017 Outsider Art Fair. With sixty-two exhibitors, this is the event’s biggest iteration so far. As we wander around the Metropolitan Pavilion, pushed along by the crowds, the exhibitors’ booths reveal their treasures: Domenico Zindato’s rhythmic patterns and Hiroyuki Doi’s circles. M’onma‘s nightmarish clown masks and Gil Batle’s carved eggshells. A brochure for the fair invites us to see our visit as a “road trip” across the United States and beyond.
Columbia University Press

The Conflict between North and South Korea, on an Intimate Scale

The plot unfolds over a few days in Yanji—in a hotel, a couple of restaurants, and on the bank of the Tumen River, which separates North Korea and China. In addition to the two long-lost brothers, we meet a Chinese Korean woman from Yanji who is bitter about the prejudice she experienced in the South; the overly zealous “Mr. Reunification,” who bores his companions with his utopian pronouncements; and a cynical businessman engaged in mysterious trade with the North.

Drawing Circles: Hiroyuki Doi Wants You to Know That You Can Make Art

Hiroyuki Doi’s first drawing workshop in the United States is held in the Folk Art Museum’s Collections and Education Center, on a narrow industrial street in Long Island City, Queens. The street is lined with factories -- I sense the hum of machinery and the faint smell of acetone. I find the number and ring a bell. I enter a dimly lit space. Quilts by American folk artists hang on the walls. Doi is sitting at the far end of the room in semi-darkness, with his sunglasses on.
Columbia University Press

Existentialism, the Russian Soul, and the Modern Metropolis

The figure of the nineteenth-century urban explorer, popularized by the likes of Charles Baudelaire and Walter Benjamin, embodied a new, detached way of being. The Parisian flaneur would drift through the crowds, keeping a low profile, and record small dramas of urban life such as a prostitute negotiating with a client, flirtations in private boxes at the opera, or the bodies of wretched folk pulled daily out of the Seine. Like a detective without a case, the flaneur would stroll down the tree-lined boulevards or sit in cafes, cool and alert, observing the new social relations and the overall waning of affect. Not so in Russia, judging by Alexei Remizov’s 1910 tale, Sisters of the Cross. In Remizov’s novel, Marakulin, an unemployed clerk, finds a reason for living in being present for those around him and witnessing their suffering.

Hardboiled: Gil Batle’s Debut in New York

West 20th Street has one of the highest concentrations of art galleries in Manhattan. On a cool, misty November evening, most windows were brightly lit. The only dark spot was the former Bayview Correctional Facility on the corner of 11th Avenue, whose solid brick walls guard its hidden past. That evening, Gil Batle’s debut show, "Hatched in Prison," opened at the Ricco Maresca Gallery across the street from Bayview.
Christian Berst Art Brut / Ampersand Gallery

Joyful Voyeur: John Kayser's Playfully Intimate Photography

After John Kayser’s death in 2007, stacks of home-developed black and white photographs and cheap drugstore prints surfaced among his personal effects. Kayser’s oeuvre could easily have ended up as pornographic curios in a California garage sale. Yet something differentiates his work from clichéd amateur erotica or mere smut. In part, it is his vision of femininity. It is also the fact that Kayser works with an awareness of his medium. His compositions include inside jokes about the nature of representation or the entanglement of high and low genres.
Peabody Essex Mus./ Kathy Tarantola/ Folk Art Mus.

Securing the Shadow: The Folk Art Museum Chronicles Death in Early America

Artists began to specialize in the miracle of re-animating a corpse and depicting the dead as they once were. In the exhibition, painting after painting shows deceased children smiling serenely, playing with toys and pets, and reunited with their brothers and sisters. The artworks’ subjects are eternally present to their families, suspended in a realm between that of the living and the dead. These attempts to both acknowledge and defy death could lead to difficult emotions.
Maris Hutchinson / EPW Studio

Collecting a Human Experience at The Keeper

Discarded pieces of gum are placed side-by-side with photographs documenting the structure of snowflakes. You can see Holocaust memorabilia, rock crystals, antique vessels, Alabama quilts, and architectural models of an imaginary European city. What brings these objects together is a meta-exhibition dedicated to the act of collecting itself. The project is so ambitious and vast in scope that it threatens to unravel into disorder.
Load More Articles
Close